Tuesday, October 25, 2011

The Volunteer: It's not about what you might think

 

It’s about time

Really. Time is what started the whole story. I read about a man in the newspaper who was sentenced to death and called off his appeals. The court obliged him and set the date of his execution. I tried to imagine it, what it must be like for him to know the date of his own death. Would he mark the day on the calendar with a red X? Would he X off each day before that one? What would his thoughts be, his emotions? It was hard to imagine his fear and yet I was drawn to it. To explore it. Time running out, ticking down to zero. By law, he could reinstate his appeals if he chose to, or his devastated family could talk him out of it. So, as the day draws closer, will he buckle? Some might say, Who cares? Obviously if the guy’s on death row, a convicted murderer, he’s no asset to society. 

The choice

Still, given that the self-preservation instinct is purportedly the strongest natural instinct a human being has, how desperate does a man have to be to ask to die? Or how remorseful? Or sickened by himself and his acts? According to one source I read, nationally, as many as one in six who are facing execution ask to die. The first was murderer Gary Gilmore, who was put to death via firing squad in Utah in 1977. More recently, the Oklahoma City bomber Tim McVeigh was a volunteer and serial killer Ted Bundy reportedly told police that he purposely committed murders in Florida because the state had the death penalty. Obviously there are few who mourn the passing of these men. Their families perhaps.

 

The fallout

And what about the family? Suppose you’re related to someone on death row who’s made such a decision? That big red X marks your calendar too. What if you’re his kid or his wife? Or his mother? The questions seemed enormous to me. Research for The Volunteer led me in several directions. There’s the ongoing argument that surrounds the death penalty in general, but more specific with regard to volunteers, there is the issue of whether the inmate is using the system to commit suicide versus the other cold-reality contention that calling an early end to the often years-long appeals process saves money. Statistics I read indicate that confining an inmate to death row is a great deal more expensive because of the heavy cost of the appeals. But appeals aside, according to sources I found, it costs Texas an average of $16,000 to house one inmate for one year. In California, the cost rises to a whopping $90,000 per year per inmate.

The more intimate focus

The story The Volunteer tells, though, is one of family. As parents, in general, we raise our children to be good people. We want them to be happy, but then they grow up, become adults. Whatever authority or control or means we had to keep them safe ultimately slips from our hands. In the blink of an eye, a choice is made, and they are plunged into circumstances that are not just life altering but life threatening.  Hearts are broken; freedom is lost. How much of this is the fault of parenting? Of mothering? In this case an inmate might well be put to death for his mistake, but what sentence does a mother receive?

The Volunteer tells a story about mothers and their children, guilty and innocent. It tells of the crimes that go unpunished. It tells how a terrible act done in one generation might not bear its evil fruit for several. It’s about collateral damage and extenuating circumstances. And it’s about the resilience of life and the human spirit. I think about that a lot, life’s resilience… every time I see a flower sprouting through cracked pavement, it reminds me how tenaciously life holds to itself.

 

 

Monday, October 17, 2011

I'm getting a new computer so I cleaned out the garage

 

Trust me, I can explain. . . .

Bear with me; I’ll get to that logic in a minute. But first, the new computer . . . I’m really excited about it, don’t get me wrong, but it strikes me that it’s almost as bad and as good as if I were moving, or maybe I should say as dislocating and cleansing as only a full-house move can be. There are so many files, music and pictures, and lists of favorite locations stored on my old computer. All this “virtual” stuff, collected through the years like junk in a drawer, and now I have to go through it and decide what to keep. I mean if I really want to be organized about it and I would like to be.

Two Men and a Truck?!

So I have to look at each file, photo, and location, etc., and determine whether it’s worthy of being moved. And it’s not as if I can get the whole box thing going either. That system HGTV recommends where you label three cartons, Keep, Toss and Give Away, and divide items accordingly. What’s on my computer doesn’t even have any weight. It’s not as if I have to hire Two Men and a Truck to transport it and yet it’s still a painstaking chore. I’m nervous, too. This isn’t just any move. I’m making the switch from an IBM compatible PC to an Mac. There’s going to be a real learning curve, the same as if I were relocating to another town, where I have to learn a new route to the grocery store and how to find the post office and the bank. I know I’ll get lost a few times before I figure it out. Mostly, though, I’m relieved. The machine I have is seven years old and so is the software. It’s slow and cranky. It has these little maddening idiosyncrasies and there’s no way around them. We’ve rubbed along together well enough, but it’s time for something new. Time to come into the twenty-first century, so to speak.

One man’s treasure

So what’s cleaning out the garage got to do with it? I had two reasons for doing that, one’s pretty silly. I had this idea that I’d set up the old computer on my work table. That way if I got into trouble on the new machine, I could just run out to the garage and fire up the old one. Idiosyncrasies aside, I know how to work the old machine. Of course, it didn’t occur to me until after I’d cleared space on and around the table that was strewn with a number of half-finished projects that the old machine is so old it doesn’t have a way to go wireless and the hoops I’d have to jump through to get it up to speed just aren’t worth it. The second reason I cleared space for it, though, has to do with its ultimate disposal. I mean it just seems wrong to toss it into the trash and it’s not environmentally responsible anyway, if you can keep from it. So my son David has a friend who does tramp art. He lusts after all things machine, metal and electronic. Dinged, battered, not working, it’s his treasure. Some of his art is displayed roadside on occasion, huge pieces. Imagine driving along and there is your monitor posing as some robot’s head atop your computer case or whatever. Maybe there’s a recycled metal cylinder arm and hand upraised in a big-Texas salute, and looped around the wrist joint there’s a cable with your mouse dangling like a charm. I like the idea of that. My old electronic junk repurposed. I like that something that in its time provided me with many hours of service will now give an artist means to create something whacky and unique that makes people smile. My new computer arrives on Wednesday and I’ll be dismantling this one then and taking it out to the worktable in the garage where it will stay until David can pick it up and transport it to its new life as art.

Note: If this post looks odd, it's because I can't get Wordpress to format properly! And if the website looks in disarray, it’s because it’s undergoing a little growth and renovation to accommodate my latest novel. The Volunteer will be available for downloading later on today, October 17. It is the story of psychologist Sophia Wilmot who through a haunting sequence of events finds herself reluctantly holding the power to save death row inmate Jarrett Capshaw from execution, but when details of an old crime from her past resurface, she discovers it’s not only Jarrett’s life that is at stake, but her own. I’ll post again as soon as the book goes live and maybe by then, I'll have these formatting bugs sorted out!

I’m getting a new computer so I cleaned out the garage

 

Trust me, I can explain. . . .

Bear with me; I’ll explain the logic in a minute. But first, getting the new computer . . . I’m really excited about it, don’t get me wrong, but it strikes me that it’s almost as bad and as good as if I were moving, or maybe I should say as dislocating and cleansing as only a full-house move can be. There are so many files, music and pictures, and lists of favorite locations stored on my old computer. All this “virtual” stuff, collected through the years like junk in a drawer, and now I have to go through it and decide what to keep. I mean if I really want to be organized about it and I would like to be. So I have to look at each file, photo, and location, etc., and determine whether it’s worthy of being moved. And it’s not as if I can get the whole box thing going either. That system HGTV recommends where you label three cartons, Keep, Toss and Give Away, and divide items accordingly. What’s on my computer doesn’t even have any weight. It’s not as if I have to hire Two Men and a Truck to transport it and yet it’s still a painstaking chore. I’m nervous, too. This isn’t just any move. I’m making the switch from an IBM compatible PC to an Mac. There’s going to be a real learning curve, the same as if I were relocating to another town, where I have to learn a new route to the grocery store and how to find the post office and the bank. I know I’ll get lost a few times before I figure it out. Mostly, though, I’m relieved. The machine I have is seven years old and so is the software. It’s slow and cranky. It has these little maddening idiosyncrasies and there’s no way around them. We’ve rubbed along together well enough, but it’s time for something new. Time to come into the twenty-first century, so to speak.
One man’s treasure

[caption id="attachment_258" align="alignleft" width="300" caption="A rendering of Texas in castoff metal"][/caption]

So what’s cleaning out the garage got to do with it? I had two reasons for doing that, one’s pretty silly. I had this idea that I’d set up the old computer on my work table. That way if I got into trouble on the new machine, I could just run out to the garage and fire up the old one. Idiosyncrasies aside, I know how to work the old machine. Of course, it didn’t occur to me until after I’d cleared space on and around the table that was strewn with a number of half-finished projects that the old machine is so old it doesn’t have a way to go wireless and the hoops I’d have to jump through to get it up to speed just aren’t worth it. The second reason I cleared space for it, though, has to do with its ultimate disposal. I mean it just seems wrong to toss it into the trash and it’s not environmentally responsible anyway, if you can keep from it. So my son David has a friend who does tramp art. He lusts after all things machine, metal and electronic. Dinged, battered, not working, it’s his treasure. Some of his art is displayed roadside on occasion, huge pieces. Imagine driving along and there is your monitor posing as some robot’s head atop your CPU or whatever. Maybe there’s a metal cylinder arm and hand upraised in a big-Texas salute, and looped around the wrist joint there’s a cable with your mouse dangling like a charm. I like the idea of that. My old electronic junk repurposed. I like that something that in its time provided me with many hours of service will now give an artist means to create something whacky and unique that makes people smile. My new computer arrives on Wednesday and I’ll be dismantling this one then and taking it out to the worktable in the garage where it will stay until David can pick it up and transport it to its new life as art.

Note: If the website looks in disarray, it’s because it’s undergoing a little growth and renovation to accommodate my latest novel. The Volunteer will be available for downloading later on today, October 17. It is the story of psychologist Sophia Wilmot who through a haunting sequence of events finds herself reluctantly holding the power to save death row inmate Jarrett Capshaw from execution, but when details of an old crime from her past resurface, she discovers it’s not only Jarrett’s life that is at stake, but her own. I’ll post again as soon as the book goes live.

Test

Mary had a little lamb.

Wednesday, October 12, 2011

Intuition, that mysterious knowing

Resistance, the art and the ugly

I admit it, I was a book snob, one of those people who said they would never own a Kindle, never read from a device rather than a book. As an author, when it came to publishing? No way was I going any route but the traditional one. Even when it didn’t happen, I didn’t relent. I resisted the whole notion of indie publishing. I mean, I truly resisted. There was no maybe about it. But then something came, in a matter of hours as day followed night, my attitude changed, or perhaps it evolved. My resistance crumbled. Something--what always feels to me like delight--said go for it, and I resisted that, too. I argued, but it just waited, for lack of a better word. The best way I can describe “it” is that it feels like a fist pushing against my back. And I know from all the other times in my life when I have felt this sensation, there’s no point in arguing further. Whatever that fist is pressing me toward, that’s where I’m going. It’s nearly a relief to give in. There is always a sensation of (usually inexplicable) joy alongside whatever other emotions are present when I finally yield, and it wasn’t different in this case. I walked into my office on that particular morning, the one I’d left only the evening before with my determination to be traditionally published intact, sat down, and began researching the whole indie publishing world as if I had always believed indie was the way to go. I’ve launched one novel since and will shortly come out with another, plus a digital version of my first novel, published traditionally, in 2001.

Learning to listen

I’m familiar with this way of knowing. Comfortable with it despite my resistance. I know the voice of my delight is my intuition whispering to me, that it comes from my muse, my daemon, if you will, and when it plants its fist in my back, it means business. But what never fails to amaze me, to thrill me, is how much is provided to me when I don’t resist, when I follow it. This time, among many other gifts I was given just as the need arose, I was led to a book: The Art of Intuition, Cultivating Your Inner Wisdom, by Sophy Burnham. I had never read anything by Sophy before and didn’t know what to expect, but what I found was another gift. Sophy’s book does not preach some woo-woo, new-agey theory that can’t be quantified. No. It’s as practical and full of hard science as it is wise and illuminating.  She quotes Jane Austen, a person whom most everyone would surely agree was well-acquainted with her muse, as saying: We all have a better guide in ourselves, if we would attend to it, than any other person can be.  Many of the scientific experiments described in Sophy’s book suggest a connectivity among all living things that occurs through “other” dimensions. Sophy herself describes it as “. . . fragile, easily ignored, [and] often overruled by critical doubt.” She says, “You have to listen for the tuning fork of insight.” Even as I write this I am thinking of my own process of creativity, how I work mostly by feel. And yet I will just as often sit cowed by the shadow of the dreaded “critical doubt” rather than walk into the light that is freely given if only I would throw off my resistance and step into it. Step into it and listen. It isn’t a listening with ears, I don’t think. But deeper than that.

"Dream of your own beauty.”

So says a bit of wall graffiti found on a building in London. But how many of us do? We talk a lot about love, but how many of us begin with ourselves? And why, in the face of so much evidence of intuition’s often stunning show of reliability, do we refuse to accept its advice? The skeptics call such evidence pseudoscience, but as Sophy points out, “. . .the skeptics have their own row to hoe.” Anyone who practices art of any kind will usually admit, however grudgingly, to having a muse, (although they might not describe it in such terms) and what is a muse if not the voice of one’s intuition? Who hasn’t heard the phone ring and known who was calling before checking the caller ID? Who hasn’t thought of someone and then run into them in the next day or two? Or lost a thing and suddenly known exactly where? Or wrestled with a problem only to dream the answer? I know of at least one occasion when intuition saved my life--literally. I didn’t question the instruction I was given at the time. I simply followed it and lived to tell. Sophy suggests the gift isn’t acquired but innate. We’re born with it, but we can ignore it, or refuse it until it becomes latent. Most of us were more intuitive as children. That doesn’t surprise me. Little children dream of their own beauty every waking moment. They are skilled creators of beauty; they are not afraid to be curious, to question and explore. But then life intervenes. Imagination isn’t so prized a tool anymore. We’re encouraged to develop our intellect, our ability to rationalize. We’re told--conditioned, really--to believe that provable facts make a more reliable guide.

Between fact and faith

I shall not commit the fashionable stupidity of regarding everything I cannot explain as a fraud. This from C.G. Jung. I can’t dismiss what I don’t understand as fraud either having had too many encounters with . . . well, something. And while I have no idea how my indie venture will turn out, I do have a hunch (another one!) that it is no accident. I’ve launched this journey by design. Perhaps it is the result of the entangled particles, Sophy references when she delves into what quantum physics has to say so far about the mystery of intuition. But truly, I’ve always been aware of it, this internal sensibility and its influence in my life. It’s been with me as long as I can remember, put away at times, even shunted off into a corner of my brain like an unwelcome and embarrassing affliction. But lately I’m less inclined to ignore it, and Sophy’s book only served to underscore my resolve, my belief that this voice, or presence, or whatever--this instinct if you will, is, as Sophy suggests, inborn; it is woven into the very fiber of our brain. I know that is how I advise my children, that their intuition, their instinct, is to be trusted, relied on and used. I think, in part, I am more confident of this now because the science is pointing there. It’s as if permission is being granted to give credence to the possibility of a kind of hyper-intelligence that I have always inherently understood was real and true.

Enhancing your own inner wisdom

Sophy Burnham’s book, The Art of Intuition, is a pleasure to read on so many levels. In many ways it is like a collection of fascinating short stories, generously seeded with anecdotes and spiced with plain facts from the black and white world of concrete data that has been gathered under scientific conditions by all manner of accepted authorities. But even the science is made understandable and compelling through writing that is as luminous as it is engaging. In addition, Sophy chronicles the history of spiritualism and examines such practices as divination, dousing, and magic. She discusses the various kinds of perceptions from clairvoyance to premonition and describes methods from guided daydreaming to something she calls deep listening to assist readers who have an interest in developing their own intuition. Believer or skeptic, The Art of Intuition offers a rich source of nourishment for your brain, your dreams, your imagination. Trust me in this, I have a strong feeling you’ll love it!

Intuition, that mysterious knowing

Intuition: That Mysterious Knowing

 

Resistance, the art and the ugly

I admit it, I was a book snob, one of those people who said they would never own a Kindle, never read from a device rather than a book. As an author, when it came to publishing? No way was I going any route but the traditional one. Even when it didn’t happen, I didn’t relent. I resisted the whole notion of indie publishing. I mean, I truly resisted. There was no maybe about it. But then something came, in a matter of hours as day followed night, my attitude changed, or perhaps it evolved. My resistance crumbled. Something--what always feels to me like delight--said go for it, and I resisted that, too. I argued, but it just waited, for lack of a better word. The best way I can describe “it” is that it feels like a fist pushing against my back. And I know from all the other times in my life when I have felt this sensation, there’s no point in arguing further. Whatever that fist is pressing me toward, that’s where I’m going. It’s nearly a relief to give in. There is always a sensation of (usually inexplicable) joy alongside whatever other emotions are present when I finally yield, and it wasn’t different in this case. I walked into my office on that particular morning, the one I’d left only the evening before with my determination to be traditionally published intact, sat down, and began researching the whole indie publishing world as if I had always believed indie was the way to go. I’ve launched one novel since and will shortly come out with another, plus a digital version of my first novel, published traditionally, in 2001.

 Learning to listen

I’m familiar with this way of knowing. Comfortable with it despite my resistance. I know the voice of my delight is my intuition whispering to me, that it comes from my muse, my daemon, if you will, and when it plants its fist in my back, it means business. But what never fails to amaze me, to thrill me, is how much is provided to me when I don’t resist, when I follow it. This time, among many other gifts I was given just as the need arose, I was led to a book: The Art of Intuition, Cultivating Your Inner Wisdom, by Sophy Burnham. I had never read anything by Sophy before and didn’t know what to expect, but what I found was another gift. Sophy’s book does not preach some woo-woo, new-agey theory that can’t be quantified. No. It’s as practical and full of hard science as it is wise and illuminating.  She quotes Jane Austen, a person whom most everyone would surely agree was well-acquainted with her muse, as saying: We all have a better guide in ourselves, if we would attend to it, than any other person can be.  Many of the scientific experiments described in Sophy’s book suggest a connectivity among all living things that occurs through “other” dimensions. Sophy herself describes it as “. . . fragile, easily ignored, [and] often overruled by critical doubt.” She says, “You have to listen for the tuning fork of insight.” Even as I write this I am thinking of my own process of creativity, how I work mostly by feel. And yet I will just as often sit cowed by the shadow of the dreaded “critical doubt” rather than walk into the light that is freely given if only I would throw off my resistance and step into it. Step into it and listen. It isn’t a listening with ears, I don’t think. But deeper than that.

 “Dream of your own beauty.”

So says a bit of wall graffiti found on a building in London. But how many of us do? We talk a lot about love, but how many of us begin with ourselves? And why, in the face of so much evidence of intuition’s often stunning show of reliability, do we refuse to accept its advice? The skeptics call such evidence pseudoscience, but as Sophy points out, “. . .the skeptics have their own row to hoe.” Anyone who practices art of any kind will usually admit, however grudgingly, to having a muse, (although they might not describe it in such terms) and what is a muse if not the voice of one’s intuition? Who hasn’t heard the phone ring and known who was calling before checking the caller ID? Who hasn’t thought of someone and then run into them in the next day or two? Or lost a thing and suddenly known exactly where? Or wrestled with a problem only to dream the answer? I know of at least one occasion when intuition saved my life--literally. I didn’t question the instruction I was given at the time. I simply followed it and lived to tell. Sophy suggests the gift isn’t acquired but innate. We’re born with it, but we can ignore it, or refuse it until it becomes latent. Most of us were more intuitive as children. That doesn’t surprise me. Little children dream of their own beauty every waking moment. They are skilled creators of beauty; they are not afraid to be curious, to question and explore. But then life intervenes. Imagination isn’t so prized a tool anymore. We’re encouraged to develop our intellect, our ability to rationalize. We’re told--conditioned, really--to believe that provable facts make a more reliable guide.

 Between fact and faith   

 I shall not commit the fashionable stupidity of regarding everything I cannot explain as a fraud. This from C.G. Jung. I can’t dismiss what I don’t understand as fraud either having had too many encounters with . . . well, something. And while I have no idea how my indie venture will turn out, I do have a hunch (another one!) that it is no accident. I’ve launched this journey by design. Perhaps it is the result of the entangled particles, Sophy references when she delves into what quantum physics has to say so far about the mystery of intuition. But truly, I’ve always been aware of it, this internal sensibility and its influence in my life. It’s been with me as long as I can remember, put away at times, even shunted off into a corner of my brain like an unwelcome and embarrassing affliction. But lately I’m less inclined to ignore it, and Sophy’s book only served to underscore my resolve, my belief that this voice, or presence, or whatever--this instinct if you will, is, as Sophy suggests, inborn; it is woven into the very fiber of our brain. I know that is how I advise my children, that their intuition, their instinct, is to be trusted, relied on and used. I think, in part, I am more confident of this now because the science is pointing there. It’s as if permission is being granted to give credence to the possibility of a kind of hyper-intelligence that I have always inherently understood was real and true.

Enhancing your own inner wisdom

Sophy Burnham’s book, The Art of Intuition, is a pleasure to read on so many levels. In many ways it is like a collection of fascinating short stories, generously seeded with anecdotes and spiced with plain facts from the black and white world of concrete data that has been gathered under scientific conditions by all manner of accepted authorities. But even the science is made understandable and compelling through writing that is as luminous as it is engaging. In addition, Sophy chronicles the history of spiritualism and examines such practices as divination, dousing, and magic. She discusses the various kinds of perceptions from clairvoyance to premonition and describes methods from guided daydreaming to something she calls deep listening to assist readers who have an interest in developing their own intuition. Believer or skeptic, The Art of Intuition offers a rich source of nourishment for your brain, your dreams, your imagination. Trust me in this, I have a strong feeling you’ll love it!

Thursday, October 6, 2011

Buy This Book: Crazy For Trying by Joni Rodgers

In Crazy For Trying, Joni Rodgers, delivers a story that is as big and wide and gorgeous as its Big Sky country setting. It is a punch to the solar plexus, unflinching on so many levels. Troubled and witty, and sometimes irreverent, it is the truly courageous exploration of one young woman’s journey through heartbreaking circumstances of loss and abandonment, of vulnerability and self doubt, to full-blown, joyous self-discovery.

Tulsa Bitters, the daughter of a famous, recently-deceased feminist, arrives in Helena, Montana with a dented heart, twenty bucks and a couple of guitars. She wants to hide and life gives her a plan, a way to do it in plain sight as “VA Lones”, Helena’s first female deejay. It’s the job she was born for, one she loves. Soon she meets Mac, a guy twice her age, and she loves him, too. As Tulsa, or Tuppy-my-guppy, as her famous mother affectionately called her, she might have lacked the confidence to take on such a job and the lover, but as VA, she can be bold--sort of. The relationship between Mac and Tulsa is no typical May-December affair. It’s a coming of age, a coming to terms for them both. It’s tender and tough; it takes side roads that twist off the heart’s ledge. A way is lost and then found only to drop into the dark night. A small town watches, or at times what is a full and colorful cast of players mixes in. As the reader, you become entangled, engrossed.

Rodger’s voice is unique, a wry and beautiful gift, that breathes life into characters and a plot that is as vividly drawn and compelling as it is passionate. The ending is up for grabs. You might be surprised; you just might find yourself laughing through your tears. For more about this wonderful author, visit her website here and her blog, Boxing the Octopus here.

Saturday, October 1, 2011

The Language of Forgiveness

 

A lesson in courage

[caption id="attachment_536" align="alignleft" width="245" caption="In the language of flowers, raspberries signify remorse"][/caption]

I have been fortunate in my life to attend as a support person a handful of 12-step meetings. I say fortunate because of the courage and humility I witnessed at these gatherings. It was a lesson to me. In the pursuit of feeding their addiction, the people in the room had wreaked havoc in their lives and in the lives of people they loved; they were stripped of everything and yet somehow found the courage to face the nightmare that drove them. They found a way  back. In my lifetime I don’t imagine I will ever feel so much bravery again. Each meeting I attended, I was in awe.

Hitting the wall

For some the journey to recovery took years. They lost the love of their spouses, parents, friends, and children. They lost jobs and fortunes. One man told how he’d gone broke as the result of his habit; he had nothing, a room in a rundown motel, a junker of a car. So one day, what turned out to be the turning point day, he forced another car off the road, dragged out the driver and knocking him down on his knees, jammed a gun to his head and demanded all his money. He wanted, needed, craved . . . name a substance, an activity. He said something woke up inside him, an awareness that seemed separate from his body and for a crucial moment, he was a horrified bystander, a witness to the realization that this guy--himself--was now ready to kill to get what he wanted. He backed off before the driver could fumble his wallet from his pocket, and apologizing profusely, dove into his car and drove away with tears blurring his vision. He was remorseful, so filled with shame that for days he couldn’t eat or sleep. He could barely breathe.

Atonement

Finally, he found a meeting. He reached the place where he was ready to atone for his errors. He was desperate for any means to make it up to those whom he had harmed. But the people who most needed to believe in him were too angry, or heartbroken, or worse, they were indifferent. They had given up on him along a road that was tarred over with his broken promises and they refused his apologies. He didn’t blame them and he didn’t quit. The night I heard him speak, fifteen years had passed since he’d pulled the gun on that driver.

 

[caption id="attachment_537" align="alignright" width="300" caption="A gift of blue scilla suggests we forgive and forget."][/caption]

First do no harm

I had a partner once who could apologize with such ease and grace, it would leave me stammering. I so admired that and tried to learn from it. But it was attending the 12-step meetings that really made me think about the whole issue of forgiveness, in particular it was the ninth step that caught my attention: Made direct amends to such people wherever possible, except when to do so would injure them or others. I had never thought in terms of an apology causing harm before, but it makes sense. Somebody you love lies to you, betrays you, steals from you time and again until finally you’ve had enough and you leave. You build a new life. Years go by. You don’t think about it anymore; those dark memories no longer trouble your sleep. But then the person reappears, reformed now, or so they claim, asking for forgiveness, opening the door to the past you have worked hard to forget.


Do they have the right?


That’s the question. Should a person offer to make amends if it only serves to reopen old wounds? I heard arguments for both sides at the meetings, but what I mostly heard was how difficult it was to even get to this place. It was hard for these folks to look at themselves and what they’d done much less face the people they may have harmed. A lot of them said the ninth step was the most difficult, the one they had to bypass and come back to again and again. I was intrigued by these stories; the seeds for a novel about the whole subject began to grow, and as I wrote The Ninth Step, it seemed to me that the step is universal in its spirit, in what it attempts to convey: that true forgiveness is offered without expectation of absolution and that even the decision of whether to offer it or not is based on the effect it will have on the person to whom it is being offered.

I’m sorry. Who knew two simple words could be packed with the power to wound as well as to heal? For a very interesting look at how the concept of forgiveness has evolved through the ages, in particular from the view from the world’s religions, check out this Wikipedia entry.